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foreword
zhuzhunowprovidesuswithgreycarneval:artinchinasince2000,averysubstantialbookresultingfromtheoutlineproposedtoaninternationaljuryforthe2011ccaaartcriticawardwhichmadehimaclearwinnerofthataward.hecertainlyhasmademorethangoodonhispromisetoofferanewandindepthanalysisofthisdecadewhichcarriessomuchweightinshapingnewperceptionsaboutchinesecontemporaryartathomeandabroad.thisbookcomesverytimely,atamomentwhentheheatismountinginthedebateaboutthecanonofchinesecontemporaryart—aboutwhoisinandwhoisout,aboutwhoshapedthisartandwhenandhow…
thisbookillustratesparticularlywellwhytheccaaartcriticawardhasbeencreated:thevibrantchineseartscenestilllackssufficientindependentartcriticismofthiskind.intheearlydays,thislackwasduetoanartoperatingsystemthatwasnotyetdifferentiatedenough—therewasnoindependentmediawithintheculturaldomain,andnoindependencewithinthesemedia.thissituationcouldnotprovidesufficientmaterialgaintosustainacareerasatrulyindependentwriter.yetintoday'sboomingartmarket,artmediapublications,artistbooksandexhibitioncatalogsabound.materialconditionshaveimprovedgreatly.butmostofthiswritingnowhastocatertotheneedsofthemarket:sincethemarket,almostexclusively,validateswhatisconsideredgoodorbadart.thisstemsfromalackofresourcesthatprovetobestrongenoughtobalancemarketpowers:resourcessuchasstrongmuseuminstitutionscapableandwillingtoparticipateinthediscoursewiththeircuratorialpractice,andinparticularindependentanalysisandcritique,allaimedateducatingarapidlygrowingaudiencethatcastsaneyeonoriswillingtoinvestinvisualarts.inaddition,theacademicsysteminsidechinahasbeenveryslowinprovidingaspecificcurriculumforthosewishingtopursueacareerinartcriticis
theartcriticawardwantstoaddresstheseissuestwofold:byraisingthediscussiononindependentartcriticismwhichissoessentialtoadvanceartcreationinchina,andinseekingtoencourageindependentwriting—byenablinganindepthresearchprojectinchinesecontemporaryartthatmightnototherwisehavefoundfinancialsupport.
finallymyvividthanksgototheccaajurymemberswhohavewithaveryrichdebateandastutejudgmenthelpedtoproducethismostinterestingoutcome.thejurywascomposedoffivemembers:gongyan(editor-in-chiefofartworldmagazine,directorofoartcenter,shanghaiinstituteofvisualarts,fudanuniversity),larsnittve(executivedirectorofm+museum,hongkong)philiptinari(formereditor-in-chiefofleapmagazine,directorofucca),wanghuangsheng(directorofcafaartmuseum)andulisigg(founderofccaa).iamalsoverygratefulforthemostimportantfinancialsupportprovidedbym+museumofvisualarts,hongkongtoccaaforouractivities.andiamparticularlyindebtedtoannaliuli,directorofccaa,whopreparedwithherteamsoefficientlythejurymeeting,managedwithgreatcharmthejuryprocess,allmediacommunicationandthemanystepsthatnowledtothissuccessfulpublication.
ulisigg
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